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Which sassy sexy starlet has the best pro-gay song!


King Baby

Well?  

14 members have voted

  1. 1. WHich current bitch?

    • P!nk, Raise Your Glass
      4
    • Christina Aguilera, Beautiful
      5
    • Ke$ha We R Who We R
      1
    • Lady Gaga, Alejandro
      2
    • katy Perrry, Firework
      0
    • other
      2


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The past few weeks must have been a particularly hard time to be young and gay. A wave of homophobic violence in New York last month was shocking, but most upsetting were the stories of suicides. Five high-profile instances of gay teenagers taking their lives were reported in the US alone. This side of the Atlantic, meanwhile, we were reminded of how far we have yet to go when a lesbian couple were denied a marriage service (rather than a civil partnership) in Greenwich.

Hope, however, comes from the unlikeliest places. Paul Simon sang that every generation throws a hero up the pop charts and, at this moment in time, he might be talking about Ke$ha, Katy Perry, Lady Gaga or Taylor Swift. Thanks to them, the airwaves are full of songs whose shared message, no matter how cheesily delivered, is "gay's OK".

Katy Perry's contribution to lesbian, gay, bisexual, and transgender (LGBT) awareness was, until now, the ditsy sapphic dabbling of "I Kissed a Girl", a song that the inimitable Beth Ditto deemed "offensive to gay culture". Before that was "Ur So Gay" – a song as inane as it is pernicious. "Ur so gay and you don't even like boys" runs the chorus, to which its subject might reply, "but at least I'm not a queer-bashing bonehead who can't spell".

You may therefore not be best-disposed towards her latest single, "Firework", but that would be a shame. Although the song has one of the crappest opening lines in history ("Do you ever feel/ Like a plastic bag?") and a video that implies that Perry's pyrotechnically gifted mammaries are somehow going to save us all, it is, nonetheless, a straight-up (no pun intended) gay youth anthem. With lines such as, "You don't have to feel like a waste of space/ You're original, cannot be replaced", it's a rally cry for self-esteem and acceptance. Yes, it's groaningly mawkish, and yes, it is to music as a Creme Egg McFlurry is to gastronomy, but I'm nonetheless glad every time I hear it.

Perry dedicated the song to the It Gets Better project, a series of videos in which gay men and women talk to the camera to let LBGT teenagers know that, in one way or another, "it gets better". If you haven't seen any yet, steel yourself: I've yet to watch a single one that doesn't set me sobbing. Ke$ha's contribution may not be the most heart-wrenching of the lot, but it's still moving to watch her assuring gay, bisexual and transgender viewers that "however you are choosing to live is beautiful".

Ke$ha describes her latest single, "We R Who We R", as an anthem dedicated to those "who haven't felt accepted because of their sexuality".

Then there's Lady Gaga's new album due next year. Elton John has already declared that its title track, "Born This Way", is "the new 'I Will Survive'... This is the new gay anthem".

She'll be in competition with Pink, whose single "Raise Your Glass" urges us to "...raise your glass if you are wrong/ In all the right ways/ All my underdogs". Pink's video also features a now seemingly obligatory kiss between two men – a pop video trope that's pretty much all down to Christina Aguilera. Her 2002 hit "Beautiful" featured a close-up of two men kissing in slow motion: the fact that it was so much more shocking in 2002 is a small but significant indicator of pop's power to change things. Similarly, whereas "Beautiful" was a sombre ballad, its successors are beat-pounding, shout-the-chorus dance numbers: the welcome implication is that homosexuality and difference are to be celebrated, rather than just endured.

There may well be some bandwagon-hopping going on among these artists, but frankly, when a wagon so desperately needs passengers, let 'em hop. Likewise, some might gripe over it being ostensibly straight women, rather than gay singers, putting out these hits, but perhaps it doesn't matter who the message is coming from. The reach and power of pop music is not to be underestimated, as Dan Savage, who founded the It Gets Better project, well knows. He has said: "I get frustrated with gay politicos who discount or undermine the importance of pop stars. They're a huge part of this fight."

On "Firework" Katy Perry sings: "If you only knew/ What the future holds/ After a hurricane/ Comes a rainbow." And, to paraphrase an early gay icon, somewhere over that rainbow, there's a land where no gay teenager is ever driven to end their own life.

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