kidfresh832

Black Mirror lost me on the first episode a couple years ago. That pig fucking plot was just too stupid. But, I had heard its good and I should go past that one but whatever. I am just starting episode 8 of Altered Carbon and I am enjoying it. It isn't earth shattering or award winning, but in a world where we are getting Murphy's law Reboot, Charmed reboot, Magnum PI and Cagney and Lacey reboot orders.... At least Netflix is trying to adapt fresh material that isn't a reboot or another procedural. I am here for it.

I'm watching Netflix's Altered Carbon. Sci fi show, mystery detective type show. I like it so far easy to binge

‘Black Panther’ Fandango Pre-Sales Outpacing All Superhero Movies Disney-Marvel’s “Black Panther” is outpacing all superhero movies in advance ticket sales for Fandango’s online tickets service, eclipsing 2016’s “Batman v Superman.” Fandango reported Wednesday that “Black Panther” had topped daily ticket sales in the wake of its world premiere and first screenings on Monday night — even though it doesn’t open in theaters until Feb. 16. According to a Fandango survey of more than 1,000 “Black Panther” moviegoers: 97% are looking forward to a different kind of superhero movie; 95% look forward to the film’s positive messages; 93% said they couldn’t wait to see Chadwick Boseman in his own “Black Panther” movie after seeing him in “Captain America: Civil War;” 86% are excited to see the film’s all-female guards/warriors, the Dora Milaje; and 85% are intrigued by the film’s exotic setting in the mythical African kingdom of Wakanda. “The buzz on ‘Black Panther’ is electric,” Fandango managing editor Erik Davis said. “Early screening audiences say it is one of Marvel’s best movies ever, and the positive word-of-mouth is helping drive the movie’s spectacular advance ticket sales.” The tentpole is heading for a North American opening in the $100 million to $120 million range for the four-day Presidents Day weekend, early tracking showed on Jan. 25. That would be a similar range to the two most recent Marvel entries — “Spider-Man: Homecoming,” which launched to $117 million in its opening weekend in July, and “Thor: Ragnarok,” which debuted with $122 million on the second weekend of November. Tracking showed total awareness of “Black Panther” at 83%, unaided awareness at 35%, and definite interest at 56%.

Critics and even Adele herself doesn't agree with 25 being better than Lemonade. And Adele's appeal is exactly what I said. She sold more, is commercially appealing and safe. I said that already and you are agreeing. There's no controversy with her or Taylor. No political tinge, or racial tinge at all. Super safe to vote for them/ Kendrick has a racial tinge, voters would have to get over, he has a political bent as well look at his performance that was better than anything else that night. He wasn't safe.

Who said anything about this being news? All the critics and comments are just stating the obvious regarding ratings. Which is what we were discussing. Again I personally am not hating on Adele, Taylor, or Bruno. But no one was saying those were the Best albums of the year. No critic had Adele as the top and most didn't even have her in their top list. That''s not downplaying her talent or sales success. Even she recognized that in her acceptance speech.

Is anyone else sick of her? I felt bad for what she went through with harassment at first. But, now she comes across as shrill, bitter, harpy. Not just about Justin. But, anyone she deems as not being truly down with the movement. Let her tell it everyone in Hollywood almost was out there holding Harvey Weinstein's dick while he assaulted all these women and EVERYONE knew. Every time someone makes a comment or a statement she comes for them saying they aren't genuine. Shes so tiring.

No one is saying feel sorry for Beyonce. How many she has won doesn't negate the fact that the top awards are always for the more commercial, safer choices that appeal to the older voting bloc. Taylor Swift, Adele etc, even Bruno those were not at all the best albums of the year. But they were successful commercially, non controversial and safe.

She has lost the big awards over and over just like last year.

The entire format is played out. It is too long, too boring. The voting pool always goes for the safer choices in the big categories, because its an older crowd voting.

Pass Gerard Pique (Shakira baby daddy)

War movies are hard for me. I just fundamentally dislike them as a general rule. It takes a lot to get me to watch one.

I don't really like Lourde like that....but the Recording academy was on some bs for not letting her perform when shes nominated for album of the year. That's just opening yourself up for bad press. And they talking about they didn't have time? Those failed skits, some of them crusty slow ass performances coulda been cut. Jay Z turned his performance slot down Ratings were awful apparently

Summed up. Fucking boring Hashtag it. Bruno was right when he accepted its too many fucking dead ass ballads. The progression was terrible

The book is even more graphic. Elio was thirsty as fuck for that D. He was flat out talking about needing Oliver inside him.

The comments are savage

I have only seen Get Out and Call me by your Name off the list so far this year. I will probably do Shape of Water next but the premise sounds weird as fuck.

I hadn't heard about the Kobe Bryant animated short prior to this this morning. That's cool he could win an Oscar based on a poem he wrote that turned into this short.

Best Picture: “Call Me by Your Name” “Darkest Hour” “Dunkirk” “Get Out” “Lady Bird” “Phantom Thread” “The Post” “The Shape of Water” “Three Billboards Outside Ebbing, Missouri” Lead Actor: Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” Gary Oldman, “Darkest Hour” Denzel Washington, “Roman J. Israel, Esq.” Lead Actress: Sally Hawkins, “The Shape of Water” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Saoirse Ronan, “Lady Bird” Meryl Streep, “The Post” Supporting Actor: Willem Dafoe, “The Florida Project” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Richard Jenkins, “The Shape of Water” Christopher Plummer, “All the Money in the World” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” Supporting Actress: Mary J. Blige, “Mudbound” Allison Janney, “I, Tonya” Lesley Manville, “Phantom Thread” Laurie Metcalf, “Lady Bird” Octavia Spencer, “The Shape of Water” Director: “Dunkirk,” Christopher Nolan “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “Phantom Thread,” Paul Thomas Anderson “The Shape of Water,” Guillermo del Toro Animated Feature: “The Boss Baby,” Tom McGrath, Ramsey Ann Naito “The Breadwinner,” Nora Twomey, Anthony Leo “Coco,” Lee Unkrich, Darla K. Anderson “Ferdinand,” Carlos Saldanha “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman Animated Short: “Dear Basketball,” Glen Keane, Kobe Bryant “Garden Party,” Victor Caire, Gabriel Grapperon “Lou,” Dave Mullins, Dana Murray “Negative Space,” Max Porter, Ru Kuwahata “Revolting Rhymes,” Jakob Schuh, Jan Lachauer Adapted Screenplay: “Call Me by Your Name,” James Ivory “The Disaster Artist,” Scott Neustadter & Michael H. Weber “Logan,” Scott Frank & James Mangold and Michael Green “Molly’s Game,” Aaron Sorkin “Mudbound,” Virgil Williams and Dee Rees Original Screenplay: “The Big Sick,” Emily V. Gordon & Kumail Nanjiani “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh Cinematography: “Blade Runner 2049,” Roger Deakins “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “Mudbound,” Rachel Morrison “The Shape of Water,” Dan Laustsen Best Documentary Feature: “Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman “Faces Places,” JR, Agnès Varda, Rosalie Varda “Icarus,” Bryan Fogel, Dan Cogan “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen “Strong Island,” Yance Ford, Joslyn Barnes Best Documentary Short Subject: “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright “Heaven is a Traffic Jam on the 405,” Frank Stiefel “Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon “Knife Skills,” Thomas Lennon “Traffic Stop,” Kate Davis, David Heilbroner Best Live Action Short Film: “DeKalb Elementary,” Reed Van Dyk “The Eleven O’Clock,” Derin Seale, Josh Lawson “My Nephew Emmett,” Kevin Wilson, Jr. “The Silent Child,” Chris Overton, Rachel Shenton “Watu Wote/All of Us,” Katja Benrath, Tobias Rosen Best Foreign Language Film: “A Fantastic Woman” (Chile) “The Insult” (Lebanon) “Loveless” (Russia) “On Body and Soul (Hungary) “The Square” (Sweden) Film Editing: “Baby Driver,” Jonathan Amos, Paul Machliss “Dunkirk,” Lee Smith “I, Tonya,” Tatiana S. Riegel “The Shape of Water,” Sidney Wolinsky “Three Billboards Outside Ebbing, Missouri,” Jon Gregory Sound Editing: “Baby Driver,” Julian Slater “Blade Runner 2049,” Mark Mangini, Theo Green “Dunkirk,” Alex Gibson, Richard King “The Shape of Water,” Nathan Robitaille, Nelson Ferreira “Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood Sound Mixing: “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin “Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo “The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern “Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick Production Design: “Beauty and the Beast,” Sarah Greenwood; Katie Spencer “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola “Darkest Hour,” Sarah Greenwood, Katie Spencer “Dunkirk,” Nathan Crowley, Gary Fettis “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau Original Score: “Dunkirk,” Hans Zimmer “Phantom Thread,” Jonny Greenwood “The Shape of Water,” Alexandre Desplat “Star Wars: The Last Jedi,” John Williams “Three Billboards Outside Ebbing, Missouri,” Carter Burwell Original Song: “Mighty River” from “Mudbound,” Mary J. Blige “Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez “Stand Up for Something” from “Marshall,” Diane Warren, Common “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul Makeup and Hair: “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick “Victoria and Abdul,” Daniel Phillips and Lou Sheppard “Wonder,” Arjen Tuiten Costume Design: “Beauty and the Beast,” Jacqueline Durran “Darkest Hour,” Jacqueline Durran “Phantom Thread,” Mark Bridges “The Shape of Water,” Luis Sequeira “Victoria and Abdul,” Consolata Boyle Visual Effects: “Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer “Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick “Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus “Star Wars: The Last Jedi,” Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

Smash. And he's a Harvard grad so he can carry a convo after Florian Munteanu (Romanian boxer cast in Creed 2)

Pass Winter Olympic edition candidate

I'm 2 episodes behind on WD. It was boring and I'm already spoiled on what happened. I binged The Handmaids Tale over the weekend since the office was closed yesterday. That shit was good I really enjoyed it A for me. 'Blessed be the fruit'

happy birthday